Thursday, May 30, 2013

Happy Belated Birthday Wishes to Starday Bluegrass Gospel Legend Carl Story


Well, technically it was May 29th, but I'm posting belated Happy Birthday wishes to honor the late, great Carl Story (1916-1995). Story joined the Starday ranks in 1957 when Mercury-Starday released 3 blazing bluegrass instrumentals (at the request of Don Pierce) and one stellar LP (though not every track is considered to be bluegrass, Story's 1957 Mercury-Starday album is considered to be among the first ever bluegrass LPs). When Pierce revived the Starday label in Nashville in 1958, Story was among the first acts signed to the new label. 17 LPs, 11 EPs, and 9 singles later, Story was still recording his classic brand of bluegrass gospel mountain music for Starday when Pierce sold the label in 1968. As I was researching the book, Carl's widow Helen was very kind and helpful to me and I am so grateful for her assistance with the details of Carl's recording career and in tracking down many of the Starday bluegrass legends. Youtube is full of classic Carl Story Starday recordings, but in this video, user Jeffery Birchfield actually posted the entirety of SLP278, a really great live recording: http://www.youtube.com/watch?v=tcBD7FxrpvU Enjoy friends and Rest in Peace Carl. And Happy Belated Birthday!

New Article about my upcoming Fall '13 Country Music and the World course

Very exciting! Today an article about my Fall '13 Country Music and the World course is the featured spotlight on the Inside IU Bloomington website. My many thanks to Jennifer Piurek and Inside IUB! Check it out: 

http://inside.iub.edu/spotlights-profiles/featured/2013-05-30-featured-nate-gibson.shtml

And if you are interested in enrolling, we still have 13 available seats as of today (May 30th).

GLLC-G210 (32504)   Country Music and the World
(TR, 2:30–3:45 pm , FQ012A)
(3 cr.) (CASE A&H)(CASE Global Civ & Culture) (GenEd A&H)
Instructor: Nate Gibson


Tuesday, May 28, 2013

Summer Festivals and Music Calender Update

Alright, the weather's gettin' warmer and that means it's time to play some music! Here are some Summer festivals and show dates which are fast approaching. Hope to see some of you there!

June 6th - Screamin' Festival, Calella, Spain (with Hi-Fly Rangers and special Starday guest Rudy "Tutti" Grayzell!)
June 13th - Iltatori, Salo, Finland (with 
The Fab. Fontanaires)
June 28th - Puistoblues Festival, Järvenpää, Finland (with Hi-Fly Rangers, showtime 16:45)
July 13th - Ruuhijärvi Hepcat's Hop, Ruuhijärvi, Finland (with Eino Rastas and Mika Liikari)
July 19th - Emilia Klubi, Hamenliina, Finland (with special guests!)
July 20th - Big Wheels, Pieksämäki, Finland (with Hi-Fly Rangers)
Aug. 3rd - Private Wedding, Järvenpää, Finland (with Hi-Fly Rangers)
Aug. 17th - Real Gone Rock'n'Roll Weekender, Sastamala, Finland (with Hi-Fly Rangers, 2 shows)

Photo by Tall and Small Photography www.tallandsmallphotography.com

Monday, May 27, 2013

Reviews for the Nate Gibson & Friends - The Starday Sessions CD are starting to come in...

And so far so good... My many thanks to Henry Dodds and Now Dig This magazine for a wonderful review of the new Nate Gibson & Friends - The Starday Sessions CD (Issue No. 362, pg. 34). Check it out! And of course, the album is available from Goofin Records at www.goofinrecords.com and other fine music retail outlets.


Friday, April 26, 2013

I Love To Hear Possum Jones Sing. RIP George Jones



It is a sad evening here in Helsinki as I just received word that country music legend George Jones has passed away. George was a huge part of The Starday Story and it is so sad to lose yet another Starday legend.

I recall very early on in my project wanting to talk with George about Starday, but Don Pierce wasn’t so sure if George would want to talk with us. George and he had had a tumultuous relationship at Starday. Don always felt like he had to be the “hatchet man” and was the only person who could say “no” to George. And then there was that incident out at the Starday Studio... George’s relationship with Pappy Daily also became strained when Jones left Daily for Epic Records. Even knowing this, I felt like the book couldn’t be complete without his input. Don made several calls to George on my behalf and even went and had lunch with him to convince him to talk with me. While it was great to see George and Don’s relationship repaired, I was still waiting years for my interview opportunity.  I even recall hearing the owner of his record label at the time, Evelyn Shriver of Bandit Records (and by the way, a million ‘Thank You’s’ are due to Evelyn), telling George that I have been trying to track him down for several years and his response: “Well, let him wait a few more then!”

Fortunately, laughter followed. George was only kidding. In the end, my patience and persistence was rewarded. George not only shared some of his earliest memories about Starday, recording with Sonny Burns, singing gospel music on the Houston Jamboree, making ‘Why Baby Why,’ meeting Jack Starns and Pappy Daily, befriending the Big Bopper, being pressured to record rockabilly music against his will, and recording in the Starns’ home studio (among other topics covered), but he also sent me photos and gave me permission to use his picture with the Packard on the book cover (and I think it makes a beautiful book cover!).  

A few years later George and his wife Nancy invited me to join them in Chicago for one of George’s shows. The Starday book was then finished, but it hadn’t been published yet. It was an extreme honor getting to hand George and Nancy the finished text and to hang out backstage for the night. We talked more about Starday, this time more about the royalties (or, lack thereof) and the fall-out with the label, and I was thankful that I got to hear his side of the story. It was also my first time getting to meet Nancy and she was such a kind and encouraging soul. My heart goes out to her and George’s family today.

In the end, I’m not sure how to best pay tribute to George… I know a lot of people are posting YouTube links to their favorite George songs… My problem is that I have so many favorites, I really don’t know if I can pick just one… To me, George is one of the top three or four vocalists who have ever lived, regardless of genre. He had such an expressive way of singing that just really strikes a chord with me. That said, I did, along with the Hi-Fly Rangers, record one of George’s songs from 1957 last year: Too Much Water. http://nategibson.bandcamp.com/track/too-much-water 

And while I tried to pay tribute to George in song myself, I’m also quite fond of Jackie D. Parrish’s tribute song to George Jones, ‘I Like To Hear George Jones Sing.’ I’m pretty certain this was the first ever tribute song about George Jones, though there have been many more recorded ever since. The Parrish tune was released on the Nashville label, a Starday subsidiary, back in 1966 while George’s career was still taking off, and incorporates most of his major hits in one way or another…  It’s a catchy tribute to a great country singer. Thanks to WFMU for posting the mp3 online and to George for all of the great music and memories! Viva la George Jones!

Jackie D. Parrish – I Like To Hear George Jones Sing, Nashville-Starday Records 1966 http://youtu.be/Qf1DE8n0zYk

Tuesday, April 9, 2013

Teaching a New Course at Indiana University, Fall 2013: Country Music and the World


Excited I am to announce that I will be returning to the States to teach a course of my own design at Indiana University this Fall: Country Music and the World. If anyone knows any IU undergrad students who might be interested in taking the course, please help me spread the word!

GLLC-G210 # 32504
Country Music and the World
FQ012A
TR 2:30 pm – 3:45pm

Course Abstract:
Country music has often been described as the music of the South, the music of the working-class, or even the music of rural America. But with advanced technology and distribution, country music is now a multi-billion dollar global business. This course examines the broadly-defined genre of “country” to better understand how this music throughout the world has and continues to reflect upon and directly impact religion, politics, and war. Through readings, selected listening exercises, and guest lectures, we will explore the transnational spread of country music and its impact throughout the world. Is country music in Nashville any more “real” than country music in Zimbabwe, Finland, Canada, or even Russia? More importantly, who is the music’s target audience and what does “country” mean to them? This course draws from the disciplines of ethnomusicology, folklore, history, musicology, performance studies, and sociology to widen our understanding of what it means to be “country.” 3 credits

Thursday, March 21, 2013

Remembering Hardrock Gunter, Eddie Bond, & Donie Maxwell

Eddie Bond and I backstage at the Green Bay Rockin' 50s Fest 2007

Very sad day yesterday. I found out that Hardrock Gunter, the legendary guitarist who recorded a few sides for Starday in the late '50s and early '60s (four solo sides on the Tennessee Guitar LP [SLP 176], and also alongside the Sunshine Boys [45-353] and with Buddy Durham [45-581]), had passed away a few days ago (March 15th). Though his encounters with Starday were somewhat brief, he is primarily remembered as a pioneering rock and roll guitar player who made some legendary sides for Bama, Sun, and others, though his Starday sides, both solo and with the Sunshine Boys, are particularly great! More info at www.hardrockgunter.com.

At the same time I also found out that legendary rockabilly artist Eddie Bond passed away just yesterday. Eddie was one of the first people I interviewed for the Starday book. I had wanted to find some of the Starday rockabilly artists and I remembered him cutting Sonny Fisher's Starday tune 'Rockin' Daddy' for Mercury in '56, then later recording for Mercury-Starday in '57. After talking with him, I realized that he never actually cut any rockabilly sides for Mercury-Starday. Instead, now that Don Pierce was producing his sessions, he went back to recording country music (the music he loved most) with fiddles and steel guitar. He did do some boppin' stuff for Mercury-Starday with trumpets and horns, but as he told me, country music was the true music in his heart. That said, I finally got to meet Eddie at a rockabilly festival in Green Bay back in '07. For that reason alone I was glad that he was still willing to indulge the rockabilly fans and play the festival circuit. He was a fun guy with whom to talk, still remembered all sorts of names and recording details from the '50s, and will be sorely missed! Here is a link to a story about him: http://www.commercialappeal.com/news/2013/mar/20/rockin-daddy-musician-and-show-business-eddie/?CID=happeningnow .

To make the day even sadder, I also learned that my buddy Donie Maxwell also passed away yesterday. He never recorded for Starday (though his son plays guitar on my new Starday Sessions tribute CD), but he was a sweet, sweet man who loved Starday and rockabilly music and his family band, Mad Max & the Wild Ones, was always my highlight of the Indy Road Rockets rockabilly festivals, regardless of who else was playing. I really enjoyed hanging out and talking with him at the festival each year and my heart goes out to his entire family. All three men will be truly missed and their music shall play on in my heart for as long as it beats. R.I.P.