This past weekend my nephew Ethan informed me that my version of "Beer Barrel Polka," from our recent Fear the Beer Brewers project, has officially gone viral. I didn't believe him at first, but apparently it's a very popular backing track for "beer-themed" Instagram reels. In terms of views last week, it was second only to some Luke Combs song, and one of those reels alone has more than 8.6 million views! Whoa! Hot damn! Thanks again for the heads up, Ethan!
Starday, Hodags, Necco Wafers, WORT-FM, Root Beer, Dogs, Record Collecting, & Mosrite Guitars
Nathan D. Gibson, PhD Musician, Ethnomusicologist, Folklorist, and Audio-Visual Preservation Archivist, University of Wisconsin–Madison
Monday, August 24, 2026
Tuesday, August 11, 2026
Beer! Beer! Beer! We Want Beer! On Back To The Country via WORT 89.9fm 8/12/26
Howdy Friends, tomorrow morning I'll again be hosting Back to the Country on WORT FM and the theme this week is Beer. Thanks to my pal Brad Serdan, who works at the Miller brewery, I just recently received this amazing LP filled with beer. It's a fun listen and it also got me thinking about all the great classic country music songs about beer.
But I'm also thinking about all of the not-so-great country songs about beer. And how most of the drinking songs in country music are actually about wine, moonshine, whiskey, tequila, "drinking" (generally), or getting "drunk/high." But how many good classic country songs are explicitly about beer? Well, actually, quite a lot.
I'll play three hours of the good ones tomorrow morning, including this here record filled with the High Life and Dive Bar Sounds! Hopefully by then we'll know how the WI primary election turned out and some folks may also want to drink a few beers during the show! Either way, be sure to VOTE today and TUNE IN tomorrow! 89.9fm in southern WI or streaming at wortfm.org.
Tuesday, July 7, 2026
A Radio Love Letter To Bloomington, IN on Back To the Country (WORT 89.9FM) 7/8/26
Howdy Friends. I'll be hosting Back to the Country on WORT again tomorrow morning (7/8) and this week I'll be playing three hours of my very favorite country music from Bloomington, Indiana.
I lived in Bloomington for close to seven years while attending graduate school and in addition to working on my PhD in folklore and ethnomusicology and teaching courses on country music and songwriting, Bloomington is also where I got truly serious about my record collecting efforts (out of financial necessity). It's also where I played in dozens of super fun bands and heard hundreds more great ones. It was a creative music community like no other and I keep a lot of this music close to my heart!
In the past I've done shows about the classic country music in my previous hometowns of St. Louis, Boston, and Helsinki, and I'm super excited to share with y'all my Radio Love Letter To Bloomington tomorrow morning! Tune in via 89.9 FM or streaming at www.wortfm.org
Monday, June 29, 2026
Wisconsin shows for Nate Gibson and the Stardazers 7/3 (High Noon Saloon-Madison) and 8/12 (Sh*tty Barn-Spring Green)
Madison/WI friends, the Stardazers and have got two shows coming up fast and we'd love to see you there! The first show is this Friday, July 3rd, at the High Noon Saloon Patio. It's two sets. It's 5:30-7:30pm. It's outdoors. It's free. It's our only Madison, WI date on the books this year. And it's always a blast. Did the venue get our name wrong after playing there almost every summer for the last six years? Yup, but you don't have to. We're called Nate Gibson and the Stardazers.
https://high-noon.com/event/nate-gibson-and-the-stargazers/
Friday, June 19, 2026
My Paris Review 2026
Paris, France is a lot of things to a lot of people. To me, for a long time, it was merely the city where they filmed Ratatouille (which I rewatched on both the flight there and the flight back). Now, of course, I recognize that it’s much more. Rachel and I just got home from six days in Paris, the first time there for each of us, and in case anyone is interested, below are a few photos from the trip and my Parisian hot takes:
Tuesday, June 16, 2026
K-Ark Special on WORT 6/17 @9am
Howdy Friends, I'll be back on WORT FM tomorrow morning from 9am-noon and I'm excited to share some of my K-Ark collection with y'all. K-Ark Records is one of the strangest record labels out there and one of the most fun to collect. Starting in St. Louis in the late ‘50s and then moving to Nashville around 1965, John Capps revived his custom vanity label in Tennessee to primarily recruit mostly unknown regional country singers.
In the mid-60s, K-Ark offered these bright-eyed hopefuls a Nashville recording experience and a stack of 45s for $600. If the artist had $2,500, they could record a full-length LP and get 500 copies of it AND 100 copies of a 45. Much like Cuca Records in Wisconsin, K-Ark had their own pressing plant, so printing costs were low. They paid Nashville’s top session men under the table and were eventually shut down by the musicians union in 1971 for underpaying and skimming union wages. Shady as all that is, for record collectors like myself, that all boils down to some really great musicianship, coupled with some super scarce pressings, and some insanely weird records!
Most famous are Eddie Noack’s deranged murder ballads, “Psycho” and “Dolores,” which are both great and truly strange. But there are also songs about living on the lam because you slept with your mother-in-law and your father wants to kill you (a Wisconsin country masterpiece!), about being too drunk to watch your son’s football game, about the various warnings that should be on cigarette packs, and a whole lot of epic and forgotten trucker tales. K-Ark made some of the earliest recordings of Tony Booth, the Dillards, Karen Wheeler, and Doug Kershaw's first solo recordings. They recorded country veterans, too, like Benny Martin, Onie Wheeler, Jim Eanes, Buck Trent, and Hylo Brown after they had been dropped by the majors. K-Ark pressed a lot of great country fuzz guitar records, two great singles by my pal (and Stonewall's older brother) Wade Jackson, and a whole mess of really cool steel guitar-dominant country rockers. They were so good that even though Cuca Records offered free recording services to regional bands, many Wisconsin singers made the trip to Nashville to record for K-Ark w/ the A-teamers and I’ve got a bunch of those, too!
There were hundreds of different K-Ark records pressed over the years. Some are gold. Quite a few are pretty amateur. But fear not! I’ve got ‘em all sorted out and I’ll be playing three hours of the very best from my collection. As an added bonus, years ago I found a super rare 7” by K-Ark label owner John Capps narrating his sales pitch for why artists should come to Nashville and record with K-Ark. It’s an amazing 10 minutes of K-Ark history and I’ve never seen another copy! Rare gems galore on Back to the Country, W-O-R-T 89.9FM Madison, community-sponsored radio. Wednesday 6/17 from 9am-noon CST and streaming via wortfm.org.
Wednesday, May 20, 2026
The Madison Record Club Tours Mills Music Library and the Cuca Collection
One of my favorite things to do is giving tours of Mills Music Library and the Wisconsin Music Archives, sharing our musical mission while also getting to talk about our amazing collections. This week Jody Berndt of the Madison Record Club asked me to give her club members a tour of Mills and to specifically focus on the Cuca Records Collection–among my favorite collections I’ve helped guide to the WMA and one I have continued to grow over the last decade. Last year, our music technical services librarian Matt Appleby completed the online collection guide (https://cuca.library.wisc.edu/) and we currently have two exhibit cases full of Cuca gems on display in our reading room.
In addition to the online and cased materials, this tour was a rare chance to get up close and personal with many of the Cuca 45s and LPs as well as the publishing contracts, pressing orders, artist photographs, newspaper clippings, release index cards, processing metadata, as well as unique artist puppets and various ephemera from Jim Kirchstein’s collection. We even had a few minutes to listen to some of the rarer recordings in the collection.
Not only did the Record Club bring a record turnout (get it?) to the event, we also had TWO Cuca recording artists and their wives present–Marcus Sullivan of the King’s Men Five AND Jon Stanbridge of both the Changing Tydes Revue and Bill Allen & the Fugitives. And if that weren’t exciting enough, we were also joined by Cuca Records founder Jim Kirchstein’s daughter, Vicki Widdecombe and her husband, and we were treated to several fun stories of having sleepovers in the Sara Sound Studio and working on the LP assembly line at Cuca!
Many thanks to everyone who came out to take the tour and spend a few after-hours with us in the library! It was particularly great to see fellow Stardazer Jamie McCloskey, who says he is onboard with working up a new Cuca Records tribute show with me, and Bob Koch, who has contributed several 45s to the Cuca Collection over the years! It was a special event, indeed! [for more info on the Madison Record Club, check out https://madison.citycast.fm/best/madison-record-club]













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